LINGVISTICĂ
Clara CĂPĂȚÎNĂ
Supinul în română şi echivalenţe ale acestuia în croată / The Romanian Supine and Its Equivalences in Croatian
Instituția: lect.dr., Departamentul de Filologie Rusă și Slavă, Facultatea de
Limbi şi Literaturi Străine, Universitatea din Bucureşti
Email: clara.capatina@lls.unibuc.ro
Cuvinte cheie: supine; non-finite verb forms; Croatian language; Romanian language
Abstract
Romanian supine is a non-finite verb form which moves away, to a greater or lesser extent,
from the prototypical manifestation of the verb. Croatian also knows non-finite verb forms, but supine is not
found among them. Having as a starting point the typology of supine structures (the supine after aspectual and
transitive verbs, the supine with purpose value after motion verbs, the supine after impersonal verbs, after nouns
and adjectives and the supine in the hanging topic pattern), we will follow the manner in which the supine is
rendered in Croatian, based on examples from literary texts translated from Romanian into Croatian.
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Aleksandra BRAJOVIĆ
О славеносрпском језику као феномену језичке
употребе српског XVIII века / On Slavonic-Serbian Language as A Phenomenon of The Serbian 18th Century Language Use
Instituția: doctorandă, Institutul de Studii Slave, Universitatea din
Viena
Email: aleksandragagic6@gmail.com
Cuvinte cheie: Slavonic Serbian; Enlightenment; Serbian language history; 18th century
Abstract
The Slavоnic Serbian language, as a part of the 18th century, is unfortunately a
very much neglected Serbian language history topic. Due to the current language situation
(specifically, the existence of modern Serbian as an operational and standardized literary language)
and the mentioned insufficient research, Slavonic Serbian is mostly understood as a kind of
transitional language form, with all the negative aspects that this brings. The most significant negative
aspect is the tendency to neglect the fact of its great cultural and historical value, as well as the once
very widespread use. Slavonic Serbian was not only an important part of the Serbian culture, which
portrayed the spirit of the Enlightenment era in which it existed, but it was, until the last moment, a
candidate for the standardization of the literary language among Serbs. This paper will thus try to
define the notion of the Slavonic Serbian language (temporally and territorially, but also in the context
of literary theory, i.e. as one of the Serbian literature epochs) and to address the most important issues
related to this term..
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Vladislav KNOLL
Language of the Moldavian letters sent to L’viv / Language of the Moldavian Letters Sent to L’viv
Instituția: cercetător, Institutul de Studii Slave, Academia de Științe din
Cehia
Email: knoll@slu.cas.cz
Cuvinte cheie: Romanian Slavonic; Ruthenian; Old Ukrainian; Moldavia; L´viv; Middle Polish
Abstract
The main aim of the article is to put the development of the language of the Moldavian
correspondence with L’viv into the context of both Ruthenian and Romanian Slavonic tradition. The
correspondence can be divided into two main groups: the privileges to L’viv merchants (1408-1531) and the
communication with the L’viv Orthodox Brotherhood (1558-1634). The oldest privileges do not differ much
from the documents of the internal chancellery. Nevertheless, the later privileges do not acquire such a huge
Church Slavonic impact, as the internal chancellery does. The correspondence with the L’viv Orthodox
Brotherhood generally follows the tendencies of the Ruthenian used in the Lithuanian and Ruthenian Metrica,
which include the step-by-step increase of Polonisms and the impact of the language of the Polish-Lithuanian
Crown chancelleries.
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Silvia MIHĂILESCU
Transformări în traducere în varianta bulgară a volumului de povestiri De ce iubim femeile de Mircea Cărtărescu / Translation Transformations in the Bulgarian Translation of the Book Why we Love women
by Mircea Cărtărescu
Instituția: lect. dr., Universitatea „Sf. Chiril și Metodiu” din Veliko-
Târnovo, Bulgaria
Email: mihailesku@abv.bg
Cuvinte cheie: translation; Romanian language/Bulgarian language; translation transformations;
grammatical substitutions
Abstract
The article aims to expose the peculiarities of the use of transformations in the translation,
analyzing the grammatical substitutions found in the translation of the literary text from Romanian to Bulgarian.
The peculiarities of translation are described according to the theory of transformations in translation, belonging
to the Russian linguist L.S. Barkhudarov.
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Nikolai PASKALEV
Diminutivele în limbile bulgară și română – provocări culinare / Diminutives in Bulgarian and Romanian – Culinary Challenges
Instituția: lector de limba bulgară, Departamentul de Filologie Rusă și
Slavă, Facultatea de Limbi și Literaturi Străine, Universitatea din București
Email: ndymitrov@abv.bg
Cuvinte cheie: diminutives; pragmatics; denotative and connotative meaning; private sphere of the
speaker
Abstract
This article aims to describe the diminutives of culinary origin in Bulgarian and Romanian.
The diminutives belonging to that group include lexemes indicating food products, meals, beverages, spices,
kitchen equipment, utensils, clothing and facilities, related to food and nutrition in general. The feature analyses
the denotative, as well as the connotative meanings of “culinary” diminutives and seeks to explain their
abundance in both languages.
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VARIA
Ala GĂINĂ
Превращение мифологического персонажа Йогини-Матушки в Бабу-Ягу / The Transformation of the Mythological Character Yoginya-Matushka into Baba-Yaga
Instituția: lect. dr., Departamentul de Filologie Rusă și Slavă, Facultatea de Limbi
și Literaturi Străine, Universitatea din București
Email: ala.gaina@lls.unibuc.ro
Cuvinte cheie: Baba-Yaga; Yoginya-Matushka; Russian Mythology; Russian fairytales; Russian culture
Abstract
Most fairy-tale characters inspired by Slavic mythology are almost unrecognizable in
Russian fairy tales. Over time, Yoginya-Matushka turned into a scary Baba-Yaga, one of the most important
characters in Russian fairy tales. Christianization, in its attempt to destroy the cult of paganism, forced people to
change their worldviews and accept new beliefs. The appearance of many gods was changed negatively, and
mythological characters were turned from positive deities into negative and hostile creatures. Over time,
mythological characters transformed and became fairy tale characters. The article aims to describe the
transformations that Yoginya-Matushka underwent until she became the fairy tale character Baba-Yaga.
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Diana TETEAN
Figuri feminine în proza lui Taras Șevcenko / Images of Women in Taras Shevchenko’s Prose
Instituția: conf. dr., Universitatea „Babeş-Bolyai” din Cluj-Napoca
Email: dtetean@yahoo.com
Cuvinte cheie: Shevchenko; the feminine ideal; myth; prose; Najmichka (The Servant Girl); Knjaginja
(The Princess)
Abstract
While entire volumes of literary studies have been dedicated to Taras Shevchenko’s poetic
creation, his prose remained a long time in obscurity.
The Cinderella status of Shevchenko’s prose is largely due to Kuliş Panteleimon’s authority, one of the
major representatives of Ukrainian education, who deemed that the publication of these works, rather weak in
his opinion, could only dent Shevchenko’s reputation as national poet. The publication of Shevchenko’s prose
work with great delay and with numerous errors and deviations from the original text was the reason why the
public failed to appreciate its true worth.
The democratic attribute of the great Kobzar’s artistic accomplishment, also present in his prose, lies in
the manner in which he renders the women’s grueling fate at that time in an attempt to change the prejudiced
perception of most of his contemporaries. The writer creates his own feminine prototype, based not so much on
physical beauty, but primarily on inner values, as the woman was the very symbol of love and endurance and
justifying in this way her supreme functions in society, those of mother and wife.
The present paper analyzes the female characters from the short stories - Najmichka (The Servant Girl)
and Knjaginja (The Princess), focusing on the manner in which they are integrated in the Ukrainian customs and
rituals on one hand, and in mythology and universal literature, on the other.
Shevchenko, a monumental talent, is a representative of many types of transgression: social, human,
artistic and cultural. Thus, from a mere serf, he became a decisive poet and writer who marked the destiny of his
own country, continuously fighting to endure and overcome himself. His talent does not limit only to the literary
field, but he proves his artistry also in the plastic arts, seeking to erase the boundaries that segregate the arts
between them and aiming towards a total form of art. In addition to writing both in Ukrainian and Russian,
restating in his works the common origin of the two languages and cultures, Shevchenko also reached, through
his work, to a point where the boundaries between cultures are superfluous and from where the universality of
artistic creation begins.
IN MEMORIAM
In memoriam prof.univ.dr. Marin Bucă / In Memoriam Prof.PhD. Marin Bucă
Instituția: Catedra de limbi slave a Faculății de Litere, Istorie și Teologie, Universitatea de Vest din Timișoara
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RECENZII
Gabriel-Andrei STAN
Recenzie (Antoaneta Olteanu, Alei bifurcate. Poetica postmodernismului rus,
Pitești: Paralela 45, 2019, 256 p., ISBN 978-973-47-2914-2) / Book Review (Antoaneta Olteanu, Alei bifurcate. Poetica postmodernismului rus,
Pitești: Paralela 45, 2019, 256 p., ISBN 978-973-47-2914-2)
Instituția: lect. dr., Departamentul de Filologie Rusă și Slavă, Facultatea
de Limbi și Literaturi Străine, Universitatea din București
Email: gabriel-andrei.stan@lls.unibuc.ro
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Diana POPESCU
Recenzie (Camelia Dinu (coord.), Modernismul rus în Veacul de Argint, Oradea:
Ratio et Revelatio, 2020, 348p., ISBN 978-606-9659-11-3) / Book review (Camelia Dinu (ed.), Modernismul rus în Veacul de Argint, Oradea:
Ratio et Revelatio, 2020, 348p., ISBN 978-606-9659-11-3)
Instituția: lect. dr., Departamentul de Filologie Rusă și Slavă, Facultatea de
Limbi și Literaturi Străine, Universitatea din București
Email: dipopis@hotmail.com
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Anca BERCARU
Recenzie (Clara Căpățînă, Aspectul verbal în croată și modalități de redare în
română, București: Editura Pro Universitaria, 2021, 187 p., ISBN 978-606-26-1484-3) / Book Review (Clara Căpățînă, Verbal aspect in Croatian and ways of rendering it in Romanian, Bucharest: Editura Pro Universitaria, 2021, 187 p., ISBN 978-606-
26-1484-3)
Instituție: lect. dr., Departamentul de Filologie Rusă și Slavă,
Facultatea de Limbi și Literaturi Străine, Universitatea din București
Email: anca.bercaru@lls.unibuc.ro
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Camelia DINU
Recenzie (Leonte Ivanov, În căutarea tărâmului izbăvitor. Schițe pentru o istorie
a rușilor lipoveni din România, 2 volume, Partea I: Bucovina, Moldova și
Țara Românească, Iași: Editura Doxologia, București: Editura C.L.R.L., 2021, ISBN 978-606-666-977-1) / Book Review (Leonte Ivanov, In search of the redeeming land. Sketches for a History of the Russian Lipovenes in Romania, 2 volumes, Part I: Bucovina, Moldova and
Wallachia, Iași: Editura Doxologia, București: Editura C.L.R.L., 2021, ISBN 978-606-666-977-1)
Instituție: conf. dr. habil., Departamentul de Filologie Rusă și Slavă, Facultatea
de Limbi și Literaturi Străine, Universitatea din București
Email: camelia.dinu@lls.unibuc.ro
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